Klima is a print magazine that proposes a collective reflection based on a theme specific to each issue. Klima gives a voice to individuals who are conscious, creative and singular, reflecting an epoch and its issues, while also revealing the multi-disciplinary nature of the artistic, activist and academic worlds. Klima aims to bring together different disciplines in a single space, emphasising their transversal aspects. In so doing, encounters and artistic proposals are articulated in a rhizomic way. Each production freely interprets the issues inherent in the main theme. Aware of the political urgency of our times, Klima aims to be part of the current cultural climate by examining the issues at stake and the new forms of utopia, using research and art as spaces for deliberating the contemporary itself. Klima publishes topics and articles relating to contemporary art, art history, art criticism, sociology, anthropology, visual studies, gender studies, post-colonial studies, etc.
Antonine Scali Ringwald is an editor, a curator and an independent researcher based in Paris. With degrees in art history and sociology. She went to the Sorbonne and the École des hautes études en sciences sociales in Paris. In 2018, she founded the magazine Klima, dedicated to the entanglement of contemporary creation and academic research. She oversees the editorial content, which she organises exhibitions. She is currently participating in the post-master "Collective Practices: Symbiotic organisations", at the Royal Institute of Stockholm, where her research focuses on listening to marine worlds.
Loucia Carlier is an artist and editor based in Paris. After a stint at the Arts Décoratifs de Paris she obtained a master's degree in visual arts at the École cantonale d'art de Lausanne in 2017. She approaches the universe of feminist science fiction through different techniques of prints, sculptures and installations. Her work is regularly shown between Switzerland and France (Art:Concept, High art, Forde, Centre d'art contemporain de Genève, Emerige, Le musée des Beaux Arts de Lausanne...). She is also the co-founder of the art and research magazine Klima since 2018 of which she directs the art part and co-produces the exhibitions that emerge from it.
Graduated from the Graphic Design Bachelor of the Cantonal School of Art in Lausanne, she then went on to establish the T.V.A. studies artistic ma- nagement group based in Paris. She is currently freelancing for various editorial projects. She is in charge of the production of special projects in the magazine.
Alicia Reymond is a writer, editor, curator and occasional English/Spanish-to-French translator. She is currently a writing contributor for PW-Magazine, co-editor of a focus untitled « Rehearsing Retreat » in Brand-New-Life magazine, and she recently joined the editorial committee at Klima Magazine. Her first book as an editor, Daring Shifts, was just published by Editions Clinamen in co-production with the curatorial platform flight of fancy that she founded in 2019. Her most recent curatorial projects took place at Kunsthalle Münster and Kunsthaus Bochum. She previously worked as an exhibition assistant at the Barbican Art Gallery (London), as well as at Centre Pompidou and Palais de Tokyo. She holds a bachelor’s degree in French language and literature and art history from the University of Geneva, Geneva, as well as a master’s degree in art history and curating from the University of Paris 1 Panthéon-Sorbonne, Paris.